Material library

Five stones.

Each is quarried, not manufactured. The descriptions below tell you what to expect, but not what you will get. We do not know either until the slab opens.

Forms

What the stone becomes.

Every stone we work can be cut to any of these forms: coaster, cube, disc, plaque. The proportions are fixed; the veining never is.

Form studies. Indicative of shape and scale, not photographs of finished pieces.

Bianco Carrara

Bianco Carrara

Origin
Tuscany, Italy
Character
A cool white ground with soft grey drift. The quietest of the five, and the one that lets engraving speak loudest.
Commission →
The slabThe block this stone is cut from, before it is anything.
Verde Guatemala

Verde Guatemala

Origin
Rajasthan, India
Character
Deep forest green shot through with white and moss. Dense, dramatic, and never the same twice.
Commission →
The slabThe block this stone is cut from, before it is anything.
Nero Marquina

Nero Marquina

Origin
Biscay, Spain
Character
True black with white lightning. The traditional ground for calligraphy. White fill on black stone is the highest contrast we can cut.
Commission →
The slabThe block this stone is cut from, before it is anything.
Emperador Dark

Emperador Dark

Origin
Murcia, Spain
Character
Warm tobacco brown with pale gold fracture. Reads almost like tortoiseshell under lamplight.
Commission →
The slabThe block this stone is cut from, before it is anything.
Travertine

Travertine

Origin
Lazio, Italy
Character
Open, porous, sand-toned. The most tactile of the five, matte rather than polished and warm to the hand.
Commission →
The slabThe block this stone is cut from, before it is anything.